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DAY 1 - STORYBOARDS & ANIMATICS

As previously mentioned, for this shoot we created the storyboards and shot list simultaneously. As Amid drew the storyboards, I wrote down the shot description and shot list, taking everyone’s ideas into account. As previously stated, the shoot will have five scenes of masked guys troubling the girls outdoors having fun, an ATM introduction scene, as well as the three wide running shots, and Danella’s time lapse. These elements have all been storyboarded. The only element that we have not storyboarded is the shots of the girls having fun outdoors, as this is something we plan to interpret on the day, and film based on the ideas we come up with on location.

 

Below is a photo of all the storyboards for the ATM intro scene: 

Below is a gallery of each of the individual storyboards for the ATM intro scene:    

Below is the animatic I’ve edited together, using the storyboards that Amid drew, showing how the ATM intro scene could look when edited:

Below is the animatic I’ve edited together, using the storyboards that Amid drew, showing how the three extreme wide running shots, and the time lapse we plan to film of Danella could look when edited:

Below is a gallery of each of the individual storyboards for the three extreme wide running shots, and the time lapse we plan to film of Danella:

Below is a photo of all the storyboards for the three extreme wide running shots, and the time lapse we plan to film of Danella:

Below is a photo of 7 of 8 of the storyboards for the Southbank Pier scene:

Below is a gallery of all 8 of the individual storyboards for the Southbank Pier scene:

Below is the animatic I’ve edited together, using the storyboards that Amid drew, showing how the Southbank Pier scene could look when edited:

Below are 4 photos of all the storyboards for the Southbank Roof scene:               

Below is a gallery of each of the individual storyboards for the Southbank Roof scene:

Below is the animatic I’ve edited together, using the storyboards that Amid drew, showing how the Southbank Roof scene could look when edited:

Below is a photo of all the storyboards for the Chinatown scene: 

Below is a gallery of each of the individual storyboards for the Chinatown scene:

Below is the animatic I’ve edited together, using the storyboards that Amid drew, showing how the Chinatown scene could look when edited:

Below are 4 photos of all the storyboards for the Covent Garden scene:

Below is a gallery of each of the individual storyboards for the Covent Garden scene:

Below is the animatic I’ve edited together, using the storyboards that Amid drew, showing how the Covent Garden scene could look when edited:

Below are 4 photos of all the storyboards for the Cecil Court scene:

Below is a gallery of each of the individual storyboards for the Cecil Court scene: 

Below is the animatic I’ve edited together, using the storyboards that Amid drew, showing how the Cecil Court scene could look when edited:

With these well drawn storyboards, thanks to Amid, alongside my detailed shot lists, I am now certain that the shoot is organised, and we are pretty much as ready as we feel we could be. The animatics also give us an idea of shot duration, and how the shots will look like when put together into the edit. The next page holds the filming schedule, where we have planned for the most effective ordering of locations, accounting for what time of day it will be when we are filming, giving us options for the locations that we want to film in daytime, sunset, and night-time. With the film schedule, and me being very comfortable in the routes that we will be taking, we will be able to use our time most effectively, making the shoot as efficient and exciting as possible.

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